It’s 3.30am and all I’ve been doing is playing around with an online book maker
FUCK STUDY.
In which bad boy McAvoy is unwillingly dragged into helping a stubborn and innocent Ann Woll rob her daddy’s bank.
THE RECEPTION
→ for zevinderluss
→ Emma Stone, Karen Gillan, Deborah Ann Woll, Andrew Garfield, James Franco
→ The Postal Service - This Place is a Prison
In a world where super powers have started appearing, tensions build between the mutants and humans. It is a war with smudged lines and murky alliances; hearts breaking, bonds forming; and a body count already too high.
Annie (Gillan) is scared. This will be the first time she meets Elizabeth (Ann Woll) face-to-face, and she hopes that she is accepted. Elizabeth is rumoured to run an underground program that treats her strange and unwanted powers. She arrives at the dinner party and before she knows it, her glass is being refilled; lips moving to meaningless conversation, words being exchanged to familiar strangers. “They are like me,” she thinks. “They want to be ok again.”
Sal (Stone) is worried. It’s been a month since she last saw her sister Annie. Her powers are useless here and she’s running out of options. Her last resort is an eccentric telepath, Cam (Franco). She tracks him down to a large mansion, where he works, experimenting on his own kind.
Annie is scared. This will be the first time she meets Elizabeth face-to-face, and she hopes to be accepted. She meets William (Garfield) and bonds over a mutual sense of deja vu.
Sal is angry. Cam is using the mutants to find out how to give humans powers too.
“You promised them normality.”
“But now, any one can be special.”
“People don’t want to be special.”
“So everyone should be special.”
“And after everyone is?”
“No one will be.”
I AM SO SORRY. This is turning into a full-fledged fic. I am going to stop there and let you imagine the epic double-battle finale (Sal fighting her way in, Annie and Will fighting her way out). This may be the most awful thing I’ve ever written. Time to sleep.
In which Hiddleston is a classy con artist who gets employed by Wilde, a spy for the CIA. Hijinks ensue.
FILTHY FINGERS
→ for idrawcubes
→ Tom Hiddleston, Julia Roberts, Michael Clarke Duncan, Helen Mirren
→ Florence and the Machine - Girl With One Eye (Bayou Percussion Remix)
The offices are busy today at Reciprocate Ltd., a company that specialises in dealing out revenge. Headed by a calm, yet intimidating woman known only as Mother (Mirren), and bankrolled by Joseph (Duncan), Reciprocate Ltd. gets more business than one would expect.
The company’s top revenger, Charlie (Roberts) is called out to see a client - a distressed woman has just caught her husband Don (Hiddleston) cheating and now wants the full revenge package. Things get awkward as they both realise that Charlie was in fact the other woman in this story, and the client ends up on the receiving end of Charlie’s services. Upon hearing this, Don expresses his dismay and Charlie interprets it as a rejection of her affections. She shoots him.
Back at the Company, Mother is displeased. Her top revenger has gone rogue - what’s a girl to do? After failed attempts at sending out her other revengers, Mother decides to go bring down Charlie herself. Grabbing her trusty 50 cal. machine gun (named Billy), she’ll end this show, one way or the other.
A Tarantino-esque piece, filled with witty lines, not-so-witty lines, mexican standoffs, old school car chases, and a good old fashioned shoot out.
In which McAvoy finds out that his wife is a serial killer.
TEETH
→ for meowsephstalin
→ James McAvoy, Anna Torv, Jeffrey Donovan, Summer Glau
→ Hans Zimmer - Paradox (Inception OST)
It’s 2093 and the streets of Chicago have become a modern day Gotham. After the Water and Power Riots of ‘88, theft and murder run amuk in the streets. Chaos is the norm and the normal does not exist any more. Law piles on law piles on law like sand through an hourglass - bureaucracy is nothing without teeth.
Diana (Torv) is a hardened ex-special forces officer, working for the Chicago Police Department under commissioner Rogan (Donovan), a whiskey-drinking, cigar-smoking coward who clashes with Diana’s harsh and often radical means of law enforcement. After having had enough of inaction against escalating violence and blood on the streets, Diana and young partner Julie (Glau) decide to visit an old friend.
College drop-out biochemist, Daniel (McAvoy), has been working on something special. Diana is convinced that martial law is the only way to reign in the criminals of New Chicago, and instructs him to create something for the perfect solider. With no one else to test this on, Julie offers herself, in hopes of gaining Daniel’s affections. She is to become the teeth that Diana was looking for.
It isn’t long before this dark, futuristic cop drama turns into a gore-infested horror, as Julie is converted into a killing machine. After dismembering the New Chicago underground, Julie moves on to innocent civilians, guilty of only human imperfections. Soon Diana realises she has created something much worse than the underground she’s been fighting for so long - and eventually has to face the monster that now is Julie.
Girl fight.
END.
OH MY GOD I MADE THIS.
YEARS AGO.
WHY ARE YOU POSTING THIS TO TUMBLR WITHOUT CREDIT
WHYY
(via nerdyjokes)
Our film team made a short in less than 48 hours! All ideas, writing, rehearsing, filming and editing took place in one wild, wild weekend.
More 48hours awesomeness here.
